![]() ![]() Thrillers like 'Marathon Man,' 'All the President's Men,' 'Chinatown' and 'The Audiences responded with just as much fervor, turning socially-conscious ![]() ![]() They were humanistic tales made by passionate filmmakers who were reacting to a Watergate-rea government mired in lies, corruption andÄeception. The best political thrillers may have been cynical and angry, but at their core In idealism anymore? Looking back at the genre's heyday in the '70s, Is it because our world-weary, apathetic post-9/11 culture just doesn't believe Why are political thrillers so rare these days, and so tricky to get right?
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